More than 200 GLP Fixtures Featured in CLOUT Festival, Poland

	With 74 units in the rig, the JDC2 IP fixtures became part of the stage design itself, forming a coherent visual structure rather than functioning simply as individual lights

Two hundred and twenty-three GLP fixtures were deployed across both stages at CLOUT Festival 2026, one of Poland's largest hip-hop events. The lighting system comprised 60 JDC Burst 1, 74 JDC2 IP, 50 Creos, and 39 WildBar 16 fixtures. Technical production was handled by ARAM, Poland's largest provider of event technology and technical production services.

Sixty GLP JDC Burst 1 were in use. The IP65-rated hybrid strobe is increasingly demanded on the technical riders of major concert and festival productions. The unit combines strobe, wash, pixel effects, and graphic looks in a single fixture, making it particularly versatile for contemporary concert productions, where lighting designs often call for rapid transitions between hard white hits, broad color washes, pixel chases and intense strobe effects.

With 74 units in the rig, the JDC2 IP fixtures became part of the stage design itself, forming a coherent visual structure rather than functioning simply as individual lights. Movement, waves, gradients, and graphic effects can be programmed across large groups of units, creating effects that extend across substantial areas of the rig.

This, ARAM notes, reflects a broader trend in contemporary lighting design: fixtures are increasingly used not only to illuminate performers and scenery, but as integral elements of the overall visual composition. For festival applications, its IP65 rating also makes JDC2 IP well suited to the unpredictable conditions of outdoor productions.

Fifty GLP Creos fixtures added large-scale wash effects to the CLOUT rig while also acting as visual elements within the stage design. A further 39 GLP WildBar 16 fixtures introduced additional linear and graphic structures into the lighting architecture. Both fixture types are IP65-rated.

ARAM's scope included planning and implementation of the multimedia and lighting systems as well as preparation, logistics, installation, configuration, and on-site technical support. With numerous international artists on the line-up, the festival infrastructure had to accommodate different touring teams, technical riders and individual show concepts. On productions of this scale, access to established, rider-friendly systems is therefore an important part of delivering the required flexibility.