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  Theatre in Review: Swing State (Audible Theater at Minetta Lane Theatre)
The best thing about Swing State is that it exists at all; at a time when so many younger playwrights are consumed with personal identity issues, Rebecca Gilman takes the long view, daring to wonder if the human ...
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Theatre in Review: Job (Soho Playhouse)
The playwright Max Wolf Friedlich doesn't waste time; Job begins with Loyd, a therapist, at bay in his office, staring at a young woman holding a gun. It's an attention-getter, all right; the play ends with a twist ...
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Theatre in Review: 9 Kinds of Silence (Playco/PS122CC)
Abhishek Majumdar's new play takes place in a kind of all-purpose hell, which, in a way, is the problem with it. It's a concrete bunker near the seaside, the floor covered with sand, with plastic where the windows should be. We ...
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Theatre in Review: Dracula: A Comedy of Terrors (New World Stages)
The spirit of Charles Ludlam lives again in this brand-new travesty of everyone's favorite creature of the night. I confess to attending Dracula: A Comedy of Terrors with a certain skepticism, wondering if anyone could ...
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Theatre in Review: No Good Things Dwell in the Flesh (ART/New York Theatres)
In her new play, Christina Masciotti places a captivating character at center stage, then leaves her stranded, dramatically speaking. The title of No Good Things Dwell in the Flesh -- an apparent allusion to St. Paul' ...
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Theatre in Review: The Lieutenant (York Theatre Company/Theatre at St. Jean's)
For the latest entry in its Musicals in Mufti series, York Theatre Company has taken a deep dive into the murky depths of musical theatre history, bringing back a fascinating cultural artifact. Is there a musical theatre fan not ...
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Theatre in Review: The Tempest (New York Shakespeare Festival/Delacorte Theater)
The isle is full of magic, along with a faint hint of sadness, in this musical production that bids farewell to the Delacorte Theater in its current form. (It is closing for an eighteen-month renovation; next summer, we must contend with ...
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Theatre in Review: How to Steal an Election (York Theatre Co./Theatre at St. Jean's)
In How to Steal an Election, Calvin Coolidge sings. I'm not sure how I feel about that.
First, the good news: In another sign of life returning to normal, York Theatre Company has brought back its popular Musicals in ...
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Theatre in Review: Pay the Writer (Pershing Square Signature Theatre)
As a novelist, Tawni O'Dell has scaled the best-seller list and been welcomed into the golden circle of Oprah's Book Club. As a playwright, she has a long way to go before similar accolades come her way. Her 2019 drama, When It ...
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Theatre in Review: The Shark is Broken (Golden Theatre)
To give you a sense of what Broadway is like these days, last week I saw back-to-back productions based on Steven Spielberg films; clearly, pre-existing IP rules. First up: Back to the Future (which SS executive-produced in 1985) ...
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Theatre in Review: Back to the Future (Winter Garden Theatre)
Back to the Future represents the state of Broadway today. Is that good or bad? It depends.
Even as Hollywood discovers that the shelf life of intellectual property may not last beyond the seventh or eighth sequel, ...
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Theatre in Review: The Half-God of Rainfall (New York Theatre Workshop)
The last time we encountered playwright Inua Ellams, the occasion was Borders and Crossings, a modest, but pointed and powerful, collection of poems, featured in an online presentation at the Under the Radar Festival in the ...
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Theatre in Review: The Cottage (Hayes Theatre)
Plays, like buildings, need solid foundations, the very thing The Cottage so obviously lacks. Playwright Sandy Rustin has concocted a farcical spoof of early twentieth-century British comedies, but she hasn't noticed ...
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Theatre in Review: Here Lies Love (Broadway Theatre)
An Off-Broadway hit in 2013, Here Lies Love has landed on Broadway, hugely expanded but with its gaudy, glittery, neon-lined heart thoroughly intact. David Byrne and Fatboy Slim's musical traces the rise and ...
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Theatre in Review: Flex (Lincoln Center Theater/Mitzi E. Newhouse Theater)
Director Lileana Blain-Cruz deploys a varsity squad of fresh faces in Flex, starting with playwright Candrice Jones, who shows how a lively new voice can revivify what might otherwise be a fairly standard ...
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Theatre in Review: Orpheus Descending (Theatre for a New Audience)
It's only July, I know, but I wonder if the new season will produce another reclamation job as accomplished as Erica Schmidt's staging of this trouble-plagued Tennessee Williams work. Its checkered career stretches across ...
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Theatre in Review: The Saviour (Irish Repertory Theatre)
Each time we meet up with Marie Mullen, she has advanced another generation, but her remarkable talent remains evergreen. In 1998, she stunned New York audiences as the frustrated, ultimately homicidal spinster in Martin McDonough' ...
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Theatre in Review: Once Upon a One More Time (Marquis Theatre)
I'm afraid that, this time, Cinderella has stayed too late at the ball. That's my takeaway from this strenuously gyrating romp through fairytale land, which applies a not terribly fresh feminist twist -- and a batch of Britney Spears
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Theatre in Review: One Woman Show (Greenwich House Theater)
Are you tired of earnest solo shows? The sort of piece in which a terribly serious actor relates his/her/their downward slide, inevitably caused by some terrible trauma that, ultimately, must be faced, cuing plenty of tears and a hopeful, ...
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Theatre in Review: Just for Us (Hudson Theatre)
Beginning with its late 2021 New York debut at the Cherry Lane Theatre, Alex Edelman's scathingly hilarious solo show has moved around town, now occupying Broadway's Hudson Theatre for a summer run. If anything, the piece, about ...
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