Custom Stage Drapes by Sew What? Inc. Help Revamp Bally's Las Vegas' Iconic Jubilee Show

Bally's Las Vegas recently ushered in a whole new chapter for Jubilee -- one of Las Vegas' most iconic stage shows. Since Jubilee's 1981 debut, visitors have flocked for nearly 32 years to producer Donn Arden's signature showgirl production.

All good things must end, is how the saying goes -- but in this case, thankfully management determined that only a revamp of the show was in order. Jubilee's grand reopening happened mid-April. Stage drapery manufacturer Sew What? Inc., based in Rancho Dominguez, California, reports the company had a part the Jubilee's new staging.

Frank Gatson, Jr., a noted creative director for Beyonce and a Grammy Award nominee for his music videos, was the man now at the helm of Jubilee as the director and choreographer. Gatson was tasked with updating the choreography, music, technology, and some of the costumes to appeal to a wider range of Las Vegas audiences. His plan was to take Donn Arden's original vision of the classic and reinvigorate, re-energize, upgrade, and modernize it.

Working along the lines of the Jubilee's retrofitting were plans for a number of new stage drapes. Sew What? Inc. took on the assignment. Owner Megan Duckett describes three of the major drapery elements they designed and custom built stage drapes for the new show:

1) Stage right and left lined revolve drapes: On both sides of the stage are "peek-a-boo stages" which are revealed by draperies, rotating on a circular traveler track. Each drape was a black plush Prestige Velour on the front when the drapes were closed -- or "hiding" the peek-a-boo stages. When the draperies were tracked, they reveal the small stage and the drapery lining. An old fashioned black sparkle boucle was selected for the lining. It's a fabric that lights and shimmers beautifully without detracting from the colors and designs of the elaborate costumes used in the show.

2) Stage masking panels: black Prestige Velour was also selected for the main masking panels. Sewn with 50% fullness, it provides dense light absorption, which gives a solid black preferred by lighting designers where the drape is "not" to be the focal point. The drapes were 35' high and almost 100' wide when set in place.

3) New mid-stage traveler drape set: At 35' high x 100' wide, this drapery set was constructed from a specialty lot of vibrant red IFR Prestige Velour. Traveler drapes are used during the performance to shorten the depth of the stage while an elaborate set change is going on behind them. After the specialty scene in front of the red drapes is finished, the drapes open to reveal the next dance scene. The company says they are glamorous drapes. The red velour shows off the performers and their costumes, making for an engaging stage scene.

Duckett says, "I attended the show in its second week and thoroughly enjoyed it. The costuming is spectacular, and the choreography presents the performers in a dynamic and moving portfolio of dance and coordinated positioning. We feel extremely privileged to have been selected as the supplier / provider of theatrical stage draperies for this production of Jubilee. What an honor!"

Most of the early stage show feel is still intact. Dancers still parade in feather headdresses and rhinestone costumes, and the show continues to sport all the glamour and glitz that is seen as synonymous with a classic Vegas revue. The scenes still include the showgirl's entrance along a grand staircase, and the legendary sinking of the Titanic, all done on a massive stage half the size of a football field. While the excitement of new stage draperies may seem a bit pale when compared to all that -- Sew What? Inc. says the company hopes that they've also helped to add to the updated Jubilee spectacle -- and that it will continue to entertain and thrill Las Vegas audiences for another 32 years.